Living Your Dreams

only what is truly important


Stanford University Quad Sky

Image via Wikipedia

“Remembering that I’ll be dead soon is the most important tool I’ve ever encountered to help me make the big choices in life. Because almost everything—all external expectations, all pride, all fear of embarrassment or failure—these things just fall away in the face of death, leaving only what is truly important. Remembering that you are going to die is the best way I know to avoid the trap of thinking you have something to lose. You are already naked. There is no reason not to follow your heart.”—Steve Jobs – Stanford University Commencement Address, 2005

Jobs gave what is arguably one of the best launch speeches ever in his 2005 commencement address to Stanford University students. Filtered through his own intimate acquaintance with mortality, he boiled it down and handed it on a platter to kids who’d only ever received anything sans much struggle anyway, so it’s doubtful – given their age and relative privilege compared to most – that any of the young adults in attendance that day took Jobs’ words and ran with them. 2005 was still “booming times” with “limitless growth potential”.

And I would guess that anyone who did give his words more than a cursory second thought misapplied the advice in a material Jeffersonian “pursuit of happiness” way that is typical of Americans and those who follow the model. Following one’s heart is not about “happiness”. There are more important things that simply being “happy”.

Happy, like sad, or satiated or angry or blah or anything that a person can feel is transient. It’s like weather. Wait long enough and it will change – for better or worse.

What is truly important boils down to surprisingly little when one is willing to measure it against the finite amount of time we are alloted. Love, giving more than receiving but also not giving just to receive. Knowing our true self well enough to realize that it is the only true north compass we have. Realizing that we are ultimately more than the shells we inhabit and the stuff that supports our shells. Being thankful for everything because the universe didn’t owe us any of our experiences but gave us the opportunities anyway – to learn from or not as we chose.

Mostly though what is important is the fact that we are the authors of our lives. Dramas, romantic comedies, tragedies. We dwell in the narratives we’ve written for ourselves.

If I Had a Hot Tub, It Wouldn’t Double As A Time Machine


Hot Tub Time Machine

Image via Wikipedia

Of course, I wouldn’t have a hot tub because they are unsanitary skin flake stews marinating in secreted bodily residue, and traveling through time shouldn’t be done when damp or barely dressed because that is asking for a more awkward than necessarily fish out of your own time zone experience than landing somewhere in your own past would be otherwise,

I’ve been pondering 1986 on and off since Rob and I snuggled in to watch John Cusack‘s Hot Tub Time Machine. Destined to be another non-classic in his mid-life crisis collection along with the equally phoned in 2012, it begs two questions. What would you do if you had a pivotal weekend in your life to live over and what kind of mid-life hell is Cusack going through to have not only starred in but produced such a puerile piece of a complete time suck like this?

The first question occupies me more than the second though it is hard to watch yet another movie in Cusack’s slow fall from watchable to just another movie star cashing a paycheck. The movie for all its seriously lowbrow reach focuses on the question of going back in time to “right yourself”. The main characters are Al Bundy off-track and stuck so firmly in the weeds they’ve wandered into courtesy of poor life choices and the plain old drift that most of us allow to direct our course. You know what I mean. We paddle furiously until we find that sweet spot in the river and then allow the undertow to do the rest. We figure that the channels we’ve chosen should simply flow along, carrying us to where we want to end up, but the reality is that this only happens for those yellow plastic ducks in wading pools at carnivals. The kind that bob in an endless loop, waiting to be plucked for possible fabulous prizes.

I find that back to the past stories fall into two categories. There is Ray Bradbury‘s “butterfly effect” where any deviation from the original past, no matter how slight, spells doom for the future. Or there is the big fix that puts everyone into a utopia ala the McFly family‘s hunky dory happy ending in the first Back to the Future. The possibility that the past can’t be altered because it’s fixed (as some scientists theorize) is never entertained. It’s never like Emily Webb trying to relive her 12th birthday, stuck in a play where ad-libbing isn’t allowed.

“Where were you in January of 1986?” I asked Rob after the movie was over.

“Mick had just turned one, and I was in my first year of university,” He said.

Rob was already righting his path. An old married man of 24 going back to school to secure that better life.

In January of 1986 I was living in an apartment near the TKE house in Iowa City. Challenger was a couple of months away from blowing up. I was finishing up course work to get ready for my student teaching in the coming fall. It was a crappy winter. I was feeling sorry for myself because everyone had a boyfriend but me. Not having a boyfriend was a huge drama-rama thing for me though the reality – that I never bothered to really acknowledge – was that I did next to nothing to actually remedy the problem. Prospects abounded and one that I was even interested in a more serious way (that being relative to who I was at the time), I let slip because the truth (not something I was big on admitting) was that I didn’t want a boyfriend. My ambivalence couldn’t have been higher or more plain but nothing is as blind as 22.

But if going back to 1986 were an option, what makes us think that the outcome will be horror movie or happily ever materialism after? It’s like people who believe they’ve lived before are only ever victims of great historical tragedy or famous people. There is no ordinary. No average option.

Time travel theory – the serious shit – postulates that traveling backward is the only option. The future doesn’t exist and you can’t travel to somewhere that isn’t yet. Back is done. It’s like photos in an album or stepping into a home movie and wandering about like visitors to a re-enactment of a historical event. The outcome has already been decided. Nothing left to see there but the details that you’ve forgotten or altered as you’ve aged and waxed nostalgic.

My 22-year-old self would be too annoying and it would drive me crazy to be stuck inside her limited worldview.

Cusack and company naturally improved their futures in the superficial sense. They had money, goods and the women of their dreams. Presumably better attitudes and a little gratitude came along with the upgrade but the film doesn’t go there really.

I’ve gone over the side of the wading pool a few times in my life. Saw opportunity or took a chance. The only way to effect change is by going forward. The past has been and done.

In My Next Life


The public radio, Studio 360, gave a recent audience one of those fill in the blank cards asking them what they thought they might be in their next life.

Katherine’s answer isn’t lofty or ambitious. In fact some might say she lacks vision or is afraid to reach for her potential, but I thought it was very yoga and almost enlightened . After all, how many of us are aware enough of our true selves to know when we might have already “arrived”?

Rob and I were watching another episode of the unlamented mid-90’s Marines in space fare, Space: Above and Beyond.

“It’s not as even as borderline watchable as I remember it,” he remarked back when we were barely two episodes in. But with just a half-dozen or so painfully acted installments to go, we are committed.  Or should be.

The recent ones have been character development with each of the show’s primaries taking a turn. Last night’s belonged to McQueen, an artificially gestated human who is the commanding officer to a group of Marine pilots/expendable ground grunts. His dilemma? “Who am I?”

He had determined that he existed for a reason and if he paid attention that reason would reveal itself and he could – in essence – fulfill his destiny.

As it turned out, his existence was narrowly focused but very important to the survival of Earth. And really not all that important for me to go into because the bottom line is that McQueen knew who he was in this life. The one he was living. He was not waiting for a do-over. He didn’t believe in that in any case.

Katherine, the English teacher, knows who she is present and future and I am betting past as well.

In my next life, I hope I will just “be”. The “doing” is immaterial. But I am not certain I am that enlightened yet.