Death

I.C.E.


I am big on being prepared. Even if the preparation consists of nothing more than periodic dress rehearsals in my daydreams.

It’s weird to daydream about disaster and tragedy, but I was the little girl whose Barbies’ were all widowed women. And I was the teen who stared out the window of Sister Jean Freund’s South American history class and fantasized Red Dawn scenario’s. The readiness is all, as Hamlet would say once he quit whining.

During last summer’s mini-health alert, Rob put a file together for me containing all the “just in case” information. It was overkill. But it helped knowing that neither of us would be forced to wade through boxes in search of policy numbers and phone contacts. Sometimes having the details worked through in advance makes it easier to face the unthinkable.

But when he had his heart-attack, I realized that I had no idea where the file had gotten to. In our perpetual state of renovation, the minutia of life shifts from room to room, depending on where the hot reno action is taking place.

Rob took the office apart right after Christmas and the contents of the room were scattered in totes, boxes and file cabinets between the living and dining rooms. The file vanished into the triangle.

We’ve been putting the office back together these last few days, and Rob decided we needed an I.C.E. binder.

In case of emergency – crack open.

There are two of them and they have a prominent place in the organizing cabinet. Everything pertinent to life after one of our death’s is there.

“You’ll need it, ” he said, “as it’s clear now that you will outlive me.”

I scoffed and reminded him that I could be wiped out in an instant on the road from town or at the intersection. And for all we actually know, my heart could be riddled with disease just waiting to surprise us.

But I am always cognizant of the promise I made before we married, that I would let him go first. Even though it’s not my call, I did offer and the universe has a way of taking one at one’s word in these matters.

At any rate, Rob was quite sober yesterday as we discussed the I.C.E. book. He’s chafed a bit this last week. He is still on driving restriction, forbidden to engage in work even via email and bored out of his mind.

He doesn’t look sick at all. I had another husband who didn’t look sick to the naked  eye either once.

On his walk yesterday though, he overdid it. Went too far and then had to get himself back because he forgot to take his cell phone.

Six miles.

At about an hour and a half, I began to toy with the idea of hopping in the truck to go look for him. He was surprised to see I hadn’t when he finally got home – which is telling.

“I thought about Shelley, ” he said. “She used to walk that same loop with edema and a compression bandage on her leg and cancer spreading everywhere. If she could finish it, so could I.”

He is stubborn like that, but this morning he is still in bed at 10 AM.

In case of emergency, you break glass or open a binder. I am not there and I may never be. But I could be. So we organize, just in case.

Elephants


Elephants figure heavily in terms of memory.

“Memory like an elephant”

“Elephants in the room”

I was reminded of this by a friend dealing with dates embedded with ghostly elephants and as references do, it lead me here:

My oldest nephew always cuddled close during the heffalump sequence.

The interesting thing to me is how something as sturdy and true as an elephant acquired such worrisome emotional baggage.

Power of suggestion, I guess.

My Life as a House


The quaintly cliché notion that surrounds terminal illness has no better friend than fiction.

I suppose if one has never watched another die than the idea that fleeting finality will coalesce into heartwarming relationship building that shores the foundations of love so that it may bear the separation and even jump-start positive growth experiences is comforting. As it is meant to be. But it’s not real.

Rob and I watched Kevin Kline’s 2001 film entitled Life as a House last evening. Of course, Kline’s character is dying. Naturally he is estranged from his child, ex-wife and living life in general prior to receiving his personal wake up call. And as most dying people do, he decides to demo the shack he lives in – interestingly situated on prime California ocean front property – to build a new home to leave to his sixteen year old son.

Although, the house is the least of what Kline’s character hopes to leave behind, a loft full of death-fueled ambition propels this man.

And it’s predictable. Epiphanies pop like flower buds in the morning sun after a night’s rain. Good is rewarded and annoying folk awarded their comeuppance.

Kline’s character dies more convincingly than 99.9% of the screen deaths I have seen. Having stood bedside myself, I am morbidly critical of fake death. His last moments struck truth. Not that I care all that much to see accurate death-bed scenes, but I hate it when they are prettied up.

Admittedly, given Rob’s recent heart attack, Dee’s birthday with all its memories, and it being the season of “anniversaries”*, we probably should’ve watched that horrid Vince Vaughan tripe holiday throwaway I found the last time we were at the book mobile.

But we are fond of Kline. He’s also worth watching. Vince? Not so much.

What’s stuck with me today though is  the lessons thing. That when someone becomes so ill that death is inevitable, those around learn something from that person’s grace under pressure example. Dying people are seen as sages and their loved ones gather at their feet like disciples at the Last Supper.

It’s not like that. Love is more often left hanging on whatever peg it was carelessly allowed to dangle on and recalcitrant children opt to revert even further to the typecasting of their younger selves. Neighbors more often decide to scuttle like roaches than step up and words are left unsaid that need to be spoken and shouted that should be swallowed.

The whole stoic saint persona was/continues to be the most difficult for me.

Rob’s recent brush with acute illness sharply reminded me that I function better in long seige conditions and not in the initial skirmishes when the enemy’s unknown and the terrain is new.

But I did like the house analogy. Death is a metaphor’s goldmine. To me it makes total sense that the old is razed and the new is rebuilt atop. Phoenix from ash. Apt.

I dream a lot about houses. They are never finished and I am usually in transit from one to another. They are always in the college town of long ago, which symbolically makes no sense aside from the education aspect.

I wonder sometimes what it will mean if I should ever dream that I am in a finished house. Of course, I will have to actually live in one first as I need a template.

Three houses passed university and not one ever “done”. Now there is a better analogy for my life.

Best line – “Change can be so slow that you don’t know if your life is better or worse until it is.” That, thank goodness, is not one of my analogies.

*I think the whole anniversary of deaths, non-birthdays, non-wedding anniversaries and – worst of all, in my own opinion – the idea that events leading up to deaths should be observed in any way are products of a society lulled into the false belief that death is the trauma that keeps on refueling. And that ‘s it better to acknowledge and acquiecse to it than simply acknowledge and get back to daily life. I read accounts of people who literally lose weeks to gearing up and ramping down. If I took time out to do more than simply recall that “oh yeah, that happened today”, I would never get up off the floor in the corner I was curled up in. I’d be like that old SNL skit. “Yes, the late Mr. Loomis used to lay in a basket by the door. He had no spine, you know. God rest his soul.”  If grief is a 12 step process, and I suspect strongly that it isn’t, it’s not productive to recycle it yearly. No good can come out of  that kind of hindsight flogging.