unpublished writers


Time to put on my thinking cap because the month of November is Write a Novel in a Month time aka NaNoWriMo. I hadn’t given much thought to it until September rolled around and a writer over at the Slate decided to write a chick lit novel in the three weeks plus change she had before resuming her regular SCOTUS beat when the Justices picked up their gavels for their new session. She set up a Facebook page for people to comment, give suggestions and even direct the narrative, a kind of “choose your own mama-drama”. It set me to wondering. Could I do something like that for NaNoWriMo?

I think I could. When I was in high school, I wrote a soap opera (126 pages/college ruled – I still have it) for my friends. They would suggestion scenarios, characters (based on themselves and people we despised – whom I tortured without mercy in true soap fashion) and generally, a good time was had by all. They were entertained, and I got the kind of instant gratification that made me want to write more.

I am torn between chick lit and chick lit. Okay, modern day and historical. But nothing is set in stone. What do you think? Would you read a novel in the making (without becoming odious copy editors)?

I am really thinking hard about this. I will be working on the memoir still, but the word count for NaNoWriMo is a mere 1600 words a day. It’s really doable if I don’t blog, and I wouldn’t be. I would put up a segment of novel a day and that’s it.

Interested to read your thoughts.


I submitted a couple of piece to the Canadian Federation of Poets anthology drive a while back. They are attempting to put together a number of anthologies on different topics. I received a rejection email and then a callback on just one of the three poems I submitted.

The anthology is titled The Poetry of Marriage. I am not sure why they liked my poem. It doesn’t portray marriage as a rom-com or take a Disney princess view. I am totally in favor of marriage. I think those who eschew the legalities are nitpicking and taking a huge risk with the future well-being of their partner should anything ever happen*. It strikes me as funny that of the three poems I submitted, I should end up in the marriage anthology.

I don’t know when the anthology is coming out. I have to send a reply with my consent and vital data back and they will let me know. 

If I liked poetry more I would be jumping up and down, but I am at the core of my soul so not a poet. I don’t read it and have a hard time listening to others read their poetry aloud**. I only taught it under duress in fact and any school year that I could skip the whole things was a coup. However, I can write poetry and at different points in my life I have written only poetry. I had close to a dozen pieces published under my maiden name in fact. 

But as Rob reminded me, a publishing credit is a publishing credit. So there.

 

*And I am aware that some common-law relationships are entered into with the full battery of legal documents necessary to ensure that neither party will be hurt in the event of a tragedy but that’s just not the norm. Most couples believe that bad things happen to other people if they’ve bothered to give it any thought at all.

**Mostly because poetry is the realm of the wanna-be writer. People enamoured of writing but not talented, flock to poetry. This has always struck me as odd because poetry – the good stuff – is far more difficult to write than prose.


Although he only existed in Eubie’s mind, Eubie liked to quote his old Canuck friend as though he was threaded through the fabric of a life Eubie blinked himself into like a bad sitcom episode.

“If you can’t be handsome, be handy,” was Robin’s shop-worn motto and since it was easier to fake handiness than handsomeness, Eubie went for the former. A roll of duct tape and the ability to tell a hawk from a handsaw had served him well in his salad days in The City, and even when maturity and responsibilities forced him to the chemically greener pastures on The Shore, a passing familiarity with a hammer, the ability to differentiate between a nail and a screw and the electric screw-driver with multiple heads meant Eubie more than held his own among the honey-do set.

Most of the time, the incongruity which was simply “then” and “now” to Eubie was like a well-crafted flight of stairs. Eubie glided up and down unaware because the effort required was negated by simplistically elegant design coupled with flawless implementation. There were moments though when the hasty craftsmanship of this new reality resulted in mis-step. A face would turn up wrong. Mud brown eyes tinged with jade that should have been the green of a shadowy forest, or a mis-matched couple with children who seemed uncomfortable in their skins. Children, Eubie noted early, jittered perceptibly with low-level awareness. The dissonance of existence coursing through them like the after effects of a taser jolt. They reminded him of Zoey’s Siamese, Mrs. Fletcher.

“She disapproves of me,” Eubie complained one hazy morning as they sat on Zoey’s enclosed patio that just skimmed the treeline of the massive green space of City Park.

Mrs. Fletcher narrowed her china sky eyes and sunk deeply into Zoey’s lap as she lounged on one of the rattan chairs Eubie had liberated from a posh address recently in lieu of payment for  a disposal service. Her snow white feet propped up on the matching table, she stroked the animal from head to rump with hypnotic rhythm.

“She has cause,” Zoey said, leaving Eubie to the mercy of his half-memories and imagination. It had occurred to him even before Mrs. Fletcher’s obvious disdain that the animals whose paths crossed with his own were aware in a way what was wrong.  Just as children sensed their altered states, pets possessed a caged attitude that manifested in knowing looks and inappropriate contact. Cats were especially seductive, Mrs. Fletcher excepted, when they weren’t sizing Eubie up for meal potential, and dogs ran the gamut of psychiatric disorders. It was like karma had conspired to incite a rampant deathbed belief in its own self.

Eubie missed Robin just like he missed Omar, the coffee cart guy. But the difference was that Omar still haunted the corner of 42nd and Passing Square which is where Eubie stopped for his double-double on his way to the public library on mornings after a subway run.

Running subway had been the bread and butter of his trade in the early days after he’d found Zoey again. These days his clientele was semi-exclusive and his reputation beyond his active control, but he found peace riding the sewers of The City. Far beneath the concrete, time couldn’t torture him.

Zoey called it “temporal sensitivity”. It didn’t bother the vampires. In fact, vampirism inoculated it’s members to a large extent from the déjà vu vertigo that roiled Eubie’s consciousness.  He remembered people who’d never lived, events which hadn’t happened and a world that suddenly wasn’t a cesspool at all by comparison.

Memory has become a perpetually chipped tooth that I can’t keep my tongue off of, Eubie thought.

He longed to be counted and ignorant, but he had stepped off the early evening transit eighteen months earlier to find himself displaced and horrifyingly aware of it.

“At least you’re not a cat,” Zoey said.

“And that would be the only upside,” Eubie replied as Mrs. Fletcher purred and smiled Cheshire-like, as though she knew something Eubie did not .