grief


I am currently zipping through Stephen King’s book about writing called On Writing. There are two things that make this unusual. The first being that I am zipping through it. Reading anything longer than a news paper article is rare for me these days. If a story runs more than two pages in Oprah:The Magazine, I shudder and steel myself for mental exertion. The second reason my reading of King’s book is unusual is that I generally speaking don’t care how other writers go about the business of writing. Perhaps I should, but I don’t. I write. Sometimes I share it. I like positive feedback. I am annoyed by constructive criticism but once I get past the annoyed part I do take it to heart and use the constructive parts. The reason it annoys me though is because it is rarely information I didn’t already know. I know when my writing isn’t working and having it pointed out to me just makes me crankier than I probably already was. But, I am enjoying the King book. It isn’t really about the process as much as it is about his journey and we all have our own journeys to make as writers. I found what he had to say about the writing of Carrie to be particularly interesting. He said it wasn’t a story that he connected with and that it was hard to write, but he thought it taught him a lot. Among other things it taught him that a writer should quit just because a piece was difficult emotionally or imaginatively. “Sometimes you have to go on when you don’t feel like it, and sometimes you’re doing good work when all it feels like is that you’re managing to shovel shit from a sitting position.” – (p.78 of On Writing by Stephen King).

I kinda feel like that right now with my novel. It has changed direction and style and format to the point where I think I will need to start again. Not toss what I have, but start at the beginning and work my way through to what is passing as the end right now. That is 223 pages worth of reading and revising and thinking and being frustrated. Because I am.

Rob printed off a copy of it for me at his office at work because we don’t have the printer set up in our home office yet. I have been pestering him for a printer since September because I really don’t like having him print things for me at work. Not because I am one of those people who worries overly about things like using the employer’s office supplies for personal business, and I know this makes me a terrible person in some circles, The reason I don’t want Rob printing things is because he will read them, and they are not ready to be read until I say they are ready and even then they might need more work in my opinion. So Rob printed my mess of a novel and asked me where the story was going. Did I know what I wanted to say? Well no actually, thanks for asking. The thing is that I am coming around slowly to the idea that my story is not about Julie the widow but about Julie the woman who watched her husband die. It’s about me in more ways than I am comfortable with and about people I know like family, friends, the men I met online last year in my quest to date again. It’s about chaos. It’s about loneliness. It’s about pain. And it’s about how all these things go on out of sight while people appear to be managing and surviving.

Stephen King is got it about right.


It’s interesting the significance that people place on the dates and anniversaries of their deceased loved ones and on keeping track of the exact passage of time. A fellow widow blogger noted recently that she was approaching the 1000th day since her husband’s death. Out of curiosity I found a site that will calculate time elapsed between two dates, so I played with it a bit and discovered the following:

It’s been 654 days since my late husband died. That’s 1 year, 9 months and 16 days.
It’s been 807 days since he went into hospice or 2 years, 2 months and 16 days.
I had to put him in a nursing home on October 6th of 2004 which is 1189 days or 3 years, 3 months and 2 days ago.
1311 days ago I started taking him to daycare while I worked and he began to wear diapers full-time. That comes out to 3 years, 7 months and 2 days.
He finally succumbed to the full effect of his illness the same week we bought our first home together. That was the 4th of July weekend of 2003, 1588 days ago, which is 4 years 4 months and 4 days. He was a complete stranger to me from then on.
The last time we made love? 1629 days ago or 4 years 5 months and 15 days.
The day it was clear to me that he was ill, although it wasn’t obvious to anyone else and should have been. That was the day of his 10 year high school reunion on June 1, 2002. 1986 days or 5 years, 5 months and 7 days past.

And what does all this add up to, really? I couldn’t tell you. I don’t know why people count days and I don’t. I know why I remember these dates, and they certainly aren’t the only ones – just the highlights. They are significant to the demise of something I never thought would end as quickly as it did. Almost as quickly as it began. Each of these dates mark me in a way that no scar ever could, although they cut deep and the ache is never too far from my memory.

I am not sure that you honor a person’s memory by dwelling more on the time that they have been dead rather than the time that they spent living on this earth. Next week will mark what would have been my late husband’s 34th birthday and Rob suggested to Katy and I that we have a cake to celebrate. We didn’t celebrate his birthday last year. I didn’t even mention it to Katy at all. Maybe I should have because it doesn’t really matter how long he has been gone. What matters is that he lived.


Eric Clapton’s autobiography recently came out and it’s been praised widely for, among other things, its frankness. Mr. Clapton’s colorful past manages to be honest without injecting drama that isn’t there. But the chapter dealing with the death of his four year old son has a different tone than the rest of the book. There is a distance to the narrative that alarmed his publishers to the point that they asked him to consider rewriting it. He declined and explained that his child’s tragic accident was not something he could write any other way. That time and those circumstances were not places he could go emotionally anymore. He could talk about them. Sing the song he wrote for his boy. But to write the event from the perspective of the grieving father wasn’t possible. He just couldn’t do it.

In writing my novel I have discovered that while I can fictionalize much of the events surrounding my first husband’s illness and death and that I can write about the year that followed in a fashion, I can’t dive in to those emotions anymore. I am too far removed and just don’t want to. I wondered for a while if this was the denial I have been accused of in the past and decided it wasn’t. I am normal and what I am experiencing is normal. Grief doesn’t go anywhere really but you do reach a point where it is someplace you don’t go much, if at all. And that’s more than okay. It’s a good thing.

So, I am mining my past and my pain for the time being as I go back over the latter half of last year and when the book is finished, I won’t be revisiting that in my fiction again. I have other projects. Two of which I have already started actually. Still, “going there” as Gary Paulson would say, isn’t entirely without its redeeming factors because I think I am writing a pretty darn good book.