Fantasy


Cover of "THX 1138 (The George Lucas Dire...

Cover via Amazon

Science fiction horror scenarios spring from the basic premise that too much technology will eventually enslave us as opposed to liberate or make us better people. The Dune universe was a direct result of a world where computers took over and subjected human beings. George Lucas‘s THX1138 envisioned a world of people in the thrall of television and consumerism that drove people to numb themselves with antidepressants.

And then there was Logan’s Run, where babies were chipped at birth and their every movement monitored until they reached the useless age of 30 and were dispatched for the amusement of others.

Today people willingly tag themselves with GPS enabled phones that they delude themselves into believing are helpful tools. They are aided and abetted in their fantasy by apps.

There’s an app for everything, and they make the loss of freedom and downtime feel okay.

But they are really just the first toehold on a slide that leads to  that proverbial glided cage.

And the scariest thing is the excitement. This guy thinks this nightmare of a world is an awesome leap forward for mankind. Personally, I think life as an uber-trained gerbil might push me into active anarchy.

But here’s what truly should frighten thinking people.

“… imagine what skilled game designers could do with this …”

Imagine that. If you have the stomach for it and don’t mind giving yourself nightmares from all the paranoid conspiracy theories that naturally flow from entertaining such notions.

And then imagine them selling this to your government – not the most ethical bunch of people on the planet – and worse, imagine what the business world will … is already in come instances … do with this.

Being a gerbil is fine, if you are born a gerbil, but human beings who aren’t allowed to think for themselves, and are expected to live on the equivalent of a Sisyphean treadmill, will be a scary bat-shit crazy bunch.

It looks though as if we’ve set the path for our children and theirs and the best we can do is hope that the Mayans were right. Or perhaps wish upon a solar flare to cause an emp to reset the clock and buy us time.


Garden Spells Collage for blog

Image by The Daring Librarian via Flickr

OPHELIA (from Hamlet, Act IV scene IX)

There’s fennel for you, and columbines.—There’s rue for you, and here’s some for me. We may call it “herb of grace” o’ Sundays.—Oh, you must wear your rue with a difference.—There’s a daisy. I would give you some violets, but they withered all when my father died. They say he made a good end (sings) For bonny sweet Robin is all my joy
That’s one of my favorite bits from Hamlet. I have favorites within Hamlet. I just think the character is a pathetic whinger.
It’s the symbols. I love symbolism. In this case flowers and herbs are likely as medicinal as they were moral rebukes though 16th century folk aren’t likely to have benefitted much from herbs. The church had done a good job of demonizing anyone (and by “one”, I mean “woman”) who practiced medicine via herbs.
I thought about Ophelia‘s little monologue when I sat down to write about the book, Garden Spells by Sarah Addison Allen, because one of the main characters practices a form of magic using plants and herbs she grows in her back yard garden.
It’s a delicious little read. Southern simmered and magically realistic, it centers on the Waverly family and the strange magic that emanates through them via their family roots – figuratively and from their enchanted garden.
The garden is a hoot. It writes thank you notes and is watched over by a petulant apple tree that throws its fruit at people, trying to get them to eat of it and dream about the greatest moment in their lives.
Something that the Waverly family strives to prevent. The sisters scold the tree and bury the apples that it throws. Eating them is no joke because the greatest moments in the lives of most people are their deaths.
In typical women’s literature fashion, there are rivalries and man trouble. Sex looms and lives are … not so much transformed but freed of self-restraint and resumed.
I don’t want to say too much more and give it away as the story is formulaic enough that it telegraphs a tad bit more than it should, but I throughly enjoyed it. Coming in at 286 pages, it’s light and warm and perfect for the late summer.

Once I was the living embodiment of the goddess. I dwelt in the Kumari Ghar. Worshipped for my living perfection, I was loved out of necessity. The deep despair that is life drove them to their bellies in my presence, afraid to look on me and compelled to just the same.

Skin, smooth and supple, rippled atop undulating sinew and bone as I performed the rituals with equally flawless and fluid movement. My voice echoed back to me over the supplicants prone and reverential below, dulcet and bewitching.

I was Devi, bestowing my energy on the consciousness of man and allowing him use of me.

That was before. In the bloodless time.

The essence seeps from me now like the drip of water down a cave’s wall, used against me by the same men who once humbly sought me on bended knees.

Flesh hangs and bags over brittle bones while I move without respite, begging for the same attention that was once mine for simply existing. It is I who bows, eyes cast down and hand outstretched in hope of recapturing the essence I once wantonly gave away with no thought of myself.

The greediness of men and the scant length of their memories sears what remains of my soul.

It began on the day of my birth. The midwife assured my parents that my stars were as aligned as my limbs. A perfectly rounded head and eyes the color of a monk’s prayer beads assured that I was kumari. She was sure and they rejoiced in good fortune because, as word spread, villagers transformed the hovel of my nativity into a grotto. Want would not know them again for four years.

When the priests arrived in our miserable village, I was paraded before them with two other girls born in the region on the same day as I. But I already knew I was Devi, and I refused to be handled, subjected to the doubt. And then they knew too.

There are thirty-two points of perfection. I was all and more.

When I sang, men wept with joy and women with the knowledge of their own inadequacies.

It never occurred to me then my goddess self was mortal. How could I have known? From my earliest conscious moments my divinity was praised and nurtured. I was never told my holy essence was housed in what amounted to a decaying prison. Every day bringing me closer to banishment from my earth tethered celestial home.

I was four years old when I walked through the temple doors. My gait steady and unhurried, ignoring the priests who sought to herd me like a common girl while simultaneously shielding me from any potential harm as my people strove to get as close to me as they would ever be allowed.

Only my oldest human sister accompanied me. I could have ordered my priests to move the entire human family to the temple grounds. I think they were expecting me to do that as my human parents did remind me before the priests came to escort me home that I was allowed to bring them if I chose.

But I did not choose.

Simple minded and attached to dreams of what my divinity could do for them, I bade them stay and dedicate themselves to a simpler way of life. It was obvious to me where they belonged although, apparently, it was not clear to them. Their place was not at my side anymore.

Your dutiful care of me has been appreciated, I told them when my priests arrived, but you have had exclusive access, and yes – sadly – use of me for long enough. Our mutual journey together is now over.

My human sister was different.

Amina’s grace and beauty pleased me. Her devotion and love was a credit to her. More importantly she had not once sought to use my god-nature for her own gain.

She would die for me.

And I loved her for that.

I shouldn’t have, but I did. Sometimes eternals succumb to favorites and Amina was mine. Just  ten months older, she could have been my twin.  As the priests schooled me in rituals and protocol, so I in turn taught her. Many was the time she surreptitiously took my place. The priests would shake with impotent fury when it happened, but it was a delicious joke for us.

One we should not have played so often.

The one aspect of ritual in which I never tutored Amina was communion with the Guardians. There was simply nothing to teach or learn. Even I didn’t know exactly how I became one with them and if the priests knew, which was doubtful, they were not forthcoming.

“The guardians of the rainbow don’t like those who get in the way of the sun.”

With these words was I introduced to my brethren and immersed for the first time in the rainbow rays that flooded the inner sanctum of the temple, a place where only the living goddess dwelt. I was the only one who could bear the intensity of communion.

The first experience overwhelmed me. The onslaught to my senses was a lesser version of what I would know with men in the days after the first blood. Much less.

Sometimes if I lift my face to the sun and close my eyes enough to allow the its dimming rays to illuminate the lids pink and orange, and if I still myself to the point where the heart slows and the rush of blood trickles like a parched stream, I can almost remember the heat -the pleasure – throbbing through me. Vibrations that would shake a mere girl apart.

On the day of my birth, my last self had finally ceased her first moon cycle and was called to communion by the priests. A mere girl again, she did not survive. And thus was I born again.

But this time, for reasons I still do not know, I remembered what they had done. And when my moon phase was at its end, I sent Amina, donned her clothing and escaped into the penitent throng.

That was many sun phases ago and since that time no Devi has inhabited the Kumari Ghar though the priests search and search for me as the sun grows dimmer and our world colder.

No one suspects this old whore. Well, almost no one.

The guardians of the rainbow don’t like those who get in the way of the sun**.

*This short story was based on a picture starter provided by Parenthesis and is a recurrent meme on that site. My idea came from an association of the picture with the Globe and Mail story on Nepal’s living goddesses and a bit of research. Not my best work, but not bad either. Comments? Or simply play if you like. The rules are on Parenthesis’s site and are linked above. The deadline is August 31st. This is just a rough draft. I haven’t done much by way of editing or revising but plan to and submit it in a more polished form – somewhere. All rights are reserved to me then so don’t reprint this without my permission.

**This line was part of the challenge and was taken from “Going Postal” by Terri Prachett.